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Bust of an old bearded man, looking down, three-quarters right: 1631 B263: 4: Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half-length: 1631 B349: 2: The artist's mother with her hand on her chest: small ...
Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
The One-eyed Man is a portrait of a patient at the Saint-Paul asylum in Saint-Rémy. Van Gogh used sweeping brushstrokes in the painting made with green in the background, the man's coat and touches in his face. In the hospital Van Gogh found that in the presence of other patients he became more calm about his mental state.
Bearded Man with a Beret is a 1630 oil-on-panel painting by the Dutch artist Jan Lievens. Its dimensions are 53.5 cm × 46.3 cm (21.1 in × 18.2 in). [1] The painting is of an old man who is looking up to his right. His lips are parted as if he has been interrupted while speaking.
Man and Woman Seen from the Back: September 1882 Van Gogh Museum, Amsterdam The Hague F 991 JH 233 Boy with Spade: October 1882 Unknown The Hague F 986 JH 231 Worn Out: November 1882 Van Gogh Museum, Amsterdam [2] The Hague F 997 JH 267 Old Man with his Head in his Hands, Half-Figure: 24 November 1882 Kröller-Müller Museum, Otterlo [3] The ...
Backyards of Old Houses in Antwerp in the Snow (van Gogh) [Wikidata] December 1885 Van Gogh Museum, Amsterdam Antwerp: 44 x 33.5 cm F 260 JH 970 Portrait of an Old Man with Beard: December 1885 Van Gogh Museum, Amsterdam Antwerp 44.5 x 33.5 cm F 205 JH 971 Head of a Woman with her Hair Loose: December 1885 Van Gogh Museum, Amsterdam Antwerp 35 ...
His oil paintings trace the progress from an uncertain young man, through the dapper and very successful portrait-painter of the 1630s, to the troubled but massively powerful portraits of his old age. Together they give a remarkably clear picture of the man, his appearance and his psychological make-up, as revealed by his richly weathered face.
Old man with beard and beret: c. 1635: Oil paint: private collection Old man with beard and beret: 1637: Oil paint: NY Oscar B. Cintas Old man with beard and turban: 1637: Oil paint: ICN A Polish Nobleman: 1637: Oil on panel: 96.7 x 66.1: National Gallery of Art, Washington Portrait of a 69-year-old man in an armchair: c. 1635: Oil paint ...