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An acrostic is a type of word puzzle, related somewhat to crossword puzzles, that uses an acrostic form. It typically consists of two parts. It typically consists of two parts. The first part is a set of lettered clues, each of which has numbered blanks representing the letters of the answer.
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
The Exeter Book riddles can be situated within a wider tradition of 'speaking objects' in Anglo-Saxon culture and have much in common with poems such as The Dream of the Rood and The Husband's Message and with artefacts such as the Alfred Jewel or the Brussels Cross, which endow inanimate things with first-person voices. [28]
Another example is the Old Polish poem Skarga umierającego ("Lament of Dying Man"). [10] Such poems are important historical sources on the development of a language's orthography ; Constantine of Preslav 's abecedarius from the 9th century, for example, documents the early Slavic alphabet.
An unpublished 9-line poem written circa 1829 for Poe's cousin Elizabeth Rebecca Herring (the acrostic is her first name, spelled out by the first letter of each line). It was never published in Poe's lifetime.
A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant diction. [11] epic simile epic theater epigraph 1. An inscription on a statue, stone, or building. 2. The legend on a coin. 3. A quotation on the title page of a book. 4. A motto heading a new section or paragraph. [2]
Numerous other types have been identified, including spoonerisms, poems, shifted letters, rhyming phrases, puns, homophones, and combinations of two or more of other types of themes. [8] The themed crossword puzzle was invented in 1958 by Harold T. Bers, an advertising executive and frequent contributor to The New York Times crossword. [10] [11 ...
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.