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Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
There are many types of and methods used in making Aboriginal art, including rock painting, dot painting, rock engravings, bark painting, carvings, sculptures, weaving, and string art. Australian Aboriginal art is the oldest unbroken tradition of art in the world. [1] [2] [3]
An extensive gallery of Aboriginal art exists within a cave in Walga Rock. [ 2 ] : 46 [ 3 ] [ 6 ] While it is the subject of a great deal of research and fieldwork subsequent to a detailed examination conducted in the 1930s by the American anthropologist D. S. Davidson (who considered it to be "one of the most extensive galleries so far ...
The Carrolup artists included Revel Cooper, Reynold Hart, Mervyn Hill, Parnell Dempster, Claude Kelly, Micky Jackson and Barry Loo. An exhibition of Carrolup artists was organised in Perth and in a number of Australian towns and cities. With the assistance of Florence Rutter, exhibitions also took place in London, Manchester, Edinburgh and Glasgow.
Contemporary Indigenous Australian art is a national movement of international significance with work by Indigenous artists, including paintings by those from the Western Desert, achieving widespread critical acclaim. Because naming conventions for Indigenous Australians vary widely, this list is ordered by first name rather than surname.
Wandjina rock art on the Barnett River, Mount Elizabeth Station. The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from the Wanjina Wunggurr cultural bloc of Aboriginal Australians, depicted prominently in rock art in northwestern Australia.