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He is a long time contributing editor at Rolling Stone, writing about music, TV, and pop culture. Previously, he was a contributing editor at Blender, Spin and Details magazines. A native of Milton, Massachusetts, Sheffield has a bachelor's degree from Yale University and master's degree (1991) from the University of Virginia. [2]
The "100 Greatest Songs from the Past 25 Years" was a list published by VH1 in 2003 to commemorate 25 years of iconic music since 1978. The list aimed to capture some of the most influential, popular, and enduring songs from 1978 to 2003. Hosted by Drea de Matteo. [1]
Love Is a Mix Tape: Life and Loss, One Song at a Time is an autobiographical memoir by Rob Sheffield. It follows his first meeting of Renée Crist, their love for each other, and the eventual loss when Renée suddenly passes away from a pulmonary embolism in 1997 after only 5 years of being married. Music is explored throughout the book; how ...
The song “All Too Well” has become one of Taylor Swift’s most iconic and beloved hits, but the tune didn’t always feel like a winner to Swift. In his new book Heartbreak Is the National ...
Subsequently, expanding it into a 75 Greatest Songs list, I gave in and moved “All Too Well” to No. 1. But anyway, on Twitter, fans were outraged at my love for “YBWM” and “WANGBT.”
BI's music reporter ranked the 20 best albums of 2024. ... Across 21 songs, ... But as Rolling Stone's Rob Sheffield wrote in "Heartbreak is the National Anthem," his new book about Swift's place ...
[9] In 2014, NME listed "There Is a Light That Never Goes Out" as the 12th-greatest song of all time. [4] In 2017, Rob Sheffield of Rolling Stone placed the song number one in his ranking of 73 songs by the Smiths. [17] Marr commented on the song's enduring popularity: "I didn't realise that 'There Is a Light That Never Goes Out' was going to ...
Few people have spent as much time immersed in Taylor Swift's music than Rob Sheffield. As a longtime Rolling Stone journalist and author of books including Dreaming the Beatles, On Bowie, and ...