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  2. List of medieval armour components - Wikipedia

    en.wikipedia.org/wiki/List_of_medieval_armour...

    Late medieval gothic plate armour with list of elements. The slot in the helmet is called an occularium. This list identifies various pieces of body armour worn from the medieval to early modern period in the Western world, mostly plate but some mail armour, arranged by the part of body that is protected and roughly by date.

  3. Plate armour - Wikipedia

    en.wikipedia.org/wiki/Plate_armour

    The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the "medieval knight” is due to the specialised jousting armour which developed in the 16th century.

  4. Sabaton - Wikipedia

    en.wikipedia.org/wiki/Sabaton

    Conversely, a mounted knight's feet would be at perfect height for strikes from dismounted soldiers, and so sabatons or other foot armour would be vital when riding into battle. [ citation needed ] An earlier solution was for the mail of the chausses to completely cover the foot, but later the mail terminated at the ankle, either overlapping ...

  5. Bevor - Wikipedia

    en.wikipedia.org/wiki/Bevor

    The bevor was a component of a medieval suit of armour. It was usually a single piece of plate armour protecting the chin and throat and filling the gap between the helmet and breastplate. [1] The bevor could also extend over the knight’s left shoulder doubling the thickness of the armour. [3]

  6. Jousting - Wikipedia

    en.wikipedia.org/wiki/Jousting

    From the 11th to 14th centuries when medieval jousting was still practised in connection with the use of the lance in warfare, armour evolved from mail (with a solid, heavy helmet, called a "great helm", and shield) to plate armour. By 1400, knights wore full suits of plate armour, called a "harness" (Clephan 28–29).

  7. Visor (armor) - Wikipedia

    en.wikipedia.org/wiki/Visor_(armor)

    Visors played an important role in Late Medieval and Early Modern literature, allowing for a dramatic reveal of a character's identity. Sir Thomas Malory employs this tactic in Le Morte d'Arthur, wherein a damsel commands a knight she believes is Sir Lancelot to "put up thy visage" only to discover that he is actually Sir Tristam de Lyones.