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  2. Real Book - Wikipedia

    en.wikipedia.org/wiki/Real_Book

    The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.

  3. The Omnichord Real Book - Wikipedia

    en.wikipedia.org/wiki/The_Omnichord_Real_Book

    The Omnichord Real Book is a 2023 studio album by American musician Meshell Ndegeocello. It was met with acclaim from critics and became the first recipient of the newly created Grammy Award for Best Alternative Jazz Album, at the 66th Annual Grammy Awards. [3] [4]

  4. Faking (jazz) - Wikipedia

    en.wikipedia.org/wiki/Faking_(jazz)

    In the 1950s the Modern Jazz Fake Book, Volumes 1 and 2 was issued, and Fake Book Volume 3, containing about 500 songs, came out in 1961. The music in Fake Books 1, 2, and 3 was photocopied or reset with a musical typewriter from the melody lines of the original sheet music. Usually chord symbols, titles, composer names, and lyrics were ...

  5. 1950s in jazz - Wikipedia

    en.wikipedia.org/wiki/1950s_in_jazz

    The Real Book, Volume I (6th ed.). Hal Leonard. 2004. ISBN 0-634-06038-4. The Real Book, Volume II (2nd ed.). Hal Leonard. 2007. ISBN 978-1-4234-2452-9. The Real Book, Volume III (2nd ed.). Hal Leonard. 2006. ISBN 0-634-06136-4. The Real Jazz Book. Warner Bros. ISBN 978-91-85041-36-7. The Real Vocal Book, Volume I. Hal Leonard. 2006. ISBN 0-634 ...

  6. List of 1930s jazz standards - Wikipedia

    en.wikipedia.org/wiki/List_of_1930s_jazz_standards

    Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one major fake book publication or reference work.

  7. But Beautiful: A Book About Jazz - Wikipedia

    en.wikipedia.org/wiki/But_Beautiful:_A_Book...

    The book is one of Dyer's most acclaimed works. Pianist Keith Jarrett said it was: "The only book about jazz that I have recommended to my friends. It is a little gem with the distinction of being 'about' jazz rather than 'on' jazz. If closeness to the material determines a great solo, Mr. Dyer's book is one." [2]