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The Pontiff’s intense devotion to the Holy Virgin is manifested in this manner. [4] John Paul wrote: "As is well-known, in my episcopal arms, which are a symbolic illustration of the gospel text John 19:25-27." [5] ("Standing by the cross of Jesus were his mother and his mother's sister, Mary the wife of Clopas, and Mary of Magdala. When ...
The Three Marys by Alexander Moody Stuart, first published 1862, reprinted by the Banner of Truth Trust, Edinburgh, 1984, is a study of Mary of Magdala, Mary of Bethany and Mary of Nazareth. In Spanish-speaking countries, the Orion's Belt asterism is called Las Tres Marías (The Three Marys).
Mary standing at the Cross. The Five Lances (Latin: Quinque Lanceis) of the Immaculate Heart of Mary refer to events, that according to St. Bridget, were revealed by the Blessed Virgin Mary as having pierced her heart, while she was standing by the Cross. These are not the same as the five sorrowful mysteries of the Rosary.
Mary's role as a co-Redeemer was emphasized, in contrast to Protestants who limited or even denied the importance of honoring Mary. [2] The piece of art portrays Saint Christopher, who belongs to the group of Fourteen Holy Helpers. It combines the popular story of a devout giant carrying the baby Jesus on his back across a river with a ...
Mary Magdalene and the other Mary were there, sitting opposite the tomb Mark 15:47 Mary Magdalene and Mary of Joses saw where he was laid Luke 23:55 the women who had come with him from Galilee Women visiting the tomb: Matthew 28:1 Mary Magdalene and the other Mary Mark 16:1 Mary Magdalene and Mary the mother of James and Salome Luke 24:10
Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
Christian tradition holds that Mary approached her son during his way of the cross. The fourth station, the location of the Armenian Catholic Church of Our Lady of Sorrows, commemorates these events; a lunette, over the entrance to the chapel, references these events by means of a bas-relief carved by the Polish artist Zieliensky.
The Crucifixion Triptych is a painted altarpiece of c. 1443–1445 by Rogier van der Weyden, now in the Kunsthistorisches Museum in Vienna. [1] The central scene shows the Crucifixion of Christ, with the Virgin Mary embracing the foot of the cross as she mourns.