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A lot of people place Negronis squarely with summer and warm weather — including us (oops). But it’s really an ideal drink for all seasons. Particularly fall. You just have to be willing to ...
8. In a mixing glass: a few drops of Campari Bitter - ⅔ Gordon Gin - ⅓ white Grassotti Vermouth - orange peel; shake well and serve in a n. 8 [number 8] cocktail glass. An equal-parts cocktail called "Negroni" is attested in the British text UKBG (1953), [9] where the recipe is given as: [10] Negroni 1/3 Dry Gin. 1/3 Sweet Vermouth. 1/3 ...
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
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The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [ 2 ] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later.
The days of the Dirty Shirley are over (well, at least until next summer). Cocktail lovers are currently obsessed with something far more refined and fancy-sounding that might be tricky to order ...
Johannes Brahms' String Quartet No. 1 in C minor and String Quartet No. 2 in A minor were completed in Tutzing, Bavaria, during the summer of 1873, and published together that autumn as Op. 51. They are dedicated to his friend Theodor Billroth. He only published one other string quartet, No. 3 in B-flat Major, in 1876.
Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead. This third piano trio was later reworked by Beethoven into the C minor string quintet, Op. 104. [4]