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C-sharp minor is a minor scale based on C ... Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.
In modern notation, the key signature for music in a minor key is typically based on the accidentals of the natural minor scale, not on those of the harmonic or melodic minor scales. For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F ♯).
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
In just intonation the usual diminished fourth: the interval C ♯ to F, a diatonic minor second plus a pure minor third, or the interval C to F ♭, a minor third plus a diatonic minor second, is 16/15 * 6/5 = 32/25. The 32:25 just diminished fourth arises in the C harmonic minor scale between B and E ♭. [5] Play ⓘ
C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭ . It is the second semitone in the French solfège and is known there as do dièse .
Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major. The C-sharp major scale is: Audio playback is not supported in your browser.
As the theme rises, the violins and violas develop it further, before it turns downwards to be joined with the low strings. Eventually, the mood darkens into C-sharp minor leading to the section's second part. Part II. The oboe again emerges with a long, gentle solo in C-sharp minor. It is again initially paired with delicate support from the ...