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The Temple of Aphrodite Euploia was a sanctuary in ancient Knidos (Modern day Datça Turkey) dedicated to the goddess Aphrodite. It was a famous pilgrimage, known for hosting the famous statue of Aphrodite of Knidos .
The temple of Aphrodite in Knidos where the statue was displayed is described by two ancient sources, Pliny the Elder in his Natural History and Pseudo-Lucian in his Amores. [12] According to Pliny, the sculpture was housed in a small building, open on all sides – by which he likely meant a monopteros , a colonnade with a roof but no walls ...
Knidos sundial. The agora, the theatre, an odeum, a temple of Dionysus, a temple of the Muses, a temple of Aphrodite [10] and a great number of minor buildings have been identified, and the general plan of the city has been very clearly made out. The most famous statue by Praxiteles, the Aphrodite of Knidos, was made for Cnidus.
The finds at the temple site in Knidos included fragments of over-lifesized hands that Love believed to be from the statue of Aphrodite by the Athenian artist Praxiteles. [4] [8] In November 1970, she announced that she believed she had found the statue's head in a storeroom at the British Museum.
Temple of Aphrodite, Knidos; Temple of Aphrodite, Kythira; M. Mount Olympus (Cyprus) S. Sanctuary of Aphrodite Aphrodisias; Sanctuary of Aphrodite Paphia;
The Satala Aphrodite is an over-life-sized head of a bronze Hellenistic statue discovered in Satala (classical Armenia Minor, [4] present-day Sadak, Gümüşhane Province, Turkey). Probably created in the 2nd or 1st century BC in Asia Minor , it was acquired by the British Museum in 1873, a year after its discovery.
The Temple of Aphrodite. The Temple of Aphrodite was a focal point of the town. The Aphrodisian sculptors became renowned and benefited from a plentiful supply of marble close at hand. The school of sculpture was very productive; [10] much of their work can be seen around the site and in the Aphrodisias Museum.
Praxiteles' Aphrodite of Knidos, which survives in copies, was often referenced to and praised by Pliny the Elder. Lysistratus is said to have been the first to use plaster molds taken from living people to produce lost-wax portraits, and to have also developed a technique of casting from existing statues.