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The Miserere is one of Josquin's two "motto" motets, motets in which repetitions of a phrase are the predominant structural feature (the other is the five-voice Salve Regina of several years before). In the Miserere , the opening words of the first verse "Miserere mei, Deus", sung to a simple repeated-note motif containing only two pitches (E ...
Magnificat quarti toni (attributed to Josquin on stylistic grounds) Magnificat tertii toni (attributed to Josquin on stylistic grounds) Memor esto verbi tui; Miserere mei Deus (Ferrara, 1503) Misericordias Domini in aeternum cantabo (France, 1480/83) Missus est Gabriel angelus ad Mariam Virginem; Mittit ad virginem; Monstra te esse matrem
Josquin Lebloitte dit des Prez (c. 1450–1455 – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish.. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century
Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 50/51) include those by Gregorio Allegri and Josquin des Prez; yet another is by Bach. Settings of the De profundis (Psalm 129/130) include two in the Renaissance by Josquin. [citation needed]
Miserere, c. 1503 motet setting by Josquin des Prez; Miserere nostri, 1575 composition by Thomas Tallis; Miserere, 1630s musical setting by Gregorio Allegri; Miserere des Jésuites H.193 (1683-85), Miserere H.157 (1670), Miserere H.173 (late 1670s), Miserere H.219 (early 1690s ?), by Marc-Antoine Charpentier
Josquin Des Pres in January 2020. Josquin Des Pres (born Josquin Turenne Des Pres) is a 20th-century French-born American record producer, songwriter and TV composer who is also known as a collaborative writer with English lyricist Bernie Taupin on several compositions. [1]
Miserere nostri Domine (5) Alma Redemptoris Mater (5) [1] Ascendens Christus in altum (7) Ave Maria gratia plena (5) Ave Regina caelorum. Gaude gloriosa (5) Beatus Laurentius (5) Beatus vir qui suffert (5) Benedicta sit sancta Trinitas (5) Benedictus Dominus Deus (30) Confitemini Domino (5) Congratulamini mihi omnes (4) Deus, qui animae famuli ...
Although Josquin's two canonic masses were published together in Ottaviano Petrucci's third book of the composer's masses in 1514, The Missa ad fugam is clearly the earlier of the two. It has a head-motif consisting of the entirety of the first Kyrie which is literally repeated in the beginning of all five movements. [ 1 ]