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It is not a translation of the stanzas used within Bach's original version, but is inspired by stanzas of the same hymn that Bach had drawn upon: "Jesu, meiner Seelen Wonne", the lyrics of which were written in 1661 by Martin Janus (or Jahn), and which was sung to Johann Schop's 1642 "Werde munter, mein Gemüte" hymn tune.
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence.
The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] In 1850 the Danish hymnwriter B. S. Ingemann wrote Dejlig er jorden, which he set to the same melody. [6]
Jesu, meine Freude (Jesus, my joy), BWV 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets , it is set in eleven movements for up to five voices. It is named after the Lutheran hymn " Jesu, meine Freude " with words by Johann Franck , first published in 1653.
Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
Jesu, der du meine Seele (Jesus, you who [rescued] my soul), [1] BWV 78, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the 14th Sunday after Trinity and first performed it on 10 September 1724. It is based on the 1641 hymn by Johann Rist, "Jesu, der du meine Seele", for which it is named.
Jesu dulcis memoria is a Christian hymn often attributed to Saint Bernard of Clairvaux. The name can refer either to the entire poem, which, depending on the manuscript, ranges from forty-two to fifty-three stanzas, or only the first part. [ 1 ]
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.