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The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella , predominantly light in style, and generally began as either copies or direct translations of Italian models.
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The technical contrast between the musical forms is in the frottola consisting of music set to stanzas of text, whilst the madrigal is through-composed, a work with different music for different stanzas. [5] As a composition, the madrigal of the Renaissance is unlike the two-to-three voice Italian Trecento madrigal (1300–1370) of the 14th ...
A madrigale spirituale (Italian; pl. madrigali spirituali) is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text.Most examples of the form date from the late Renaissance and early Baroque eras, and principally come from Italy and Germany.
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
While Morley attempted to imitate the spirit of Byrd in some of his early sacred works, it was in the form of the madrigal that he made his principal contribution to music history. His work in the genre has remained in the repertory to the present day, and shows a wider variety of emotional colour, form and technique than anything by other ...
Concerted madrigal is a madrigal music style in which any number of voices combine with instruments, whether just basso continuo or basso continuo and others. The development of this style was one of the defining features of the beginning of the Baroque musical era. An example of this is Claudio Monteverdi's Zefiro torna e di soavi accenti.
By far Ferrabosco's most famous composition was the madrigal Io mi son giovinetta, a ballata from Boccaccio's Decameron (Neifile's song from the end of the ninth day), a madrigal which became so extraordinarily popular that it appeared in dozens of madrigal prints for the next hundred years, matching the popularity of Jacques Arcadelt's Il ...
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