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  2. Sigmar Berg - Wikipedia

    en.wikipedia.org/wiki/Sigmar_Berg

    In 2014, Berg introduced Lovetuner in Malibu, California. [6] The Lovetuner is a small flute worn as a necklace and is calibrated to 528 Hz. [7] Berg created the Lovetuner to contribute to wellness practices and to offer a tool for meditation and mindfulness.

  3. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.

  4. Scientific pitch - Wikipedia

    en.wikipedia.org/wiki/Scientific_pitch

    Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.

  5. Solfège - Wikipedia

    en.wikipedia.org/wiki/Solfège

    Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.

  6. Beat (acoustics) - Wikipedia

    en.wikipedia.org/wiki/Beat_(acoustics)

    For example, if a 530 Hz pure tone is presented to a subject's right ear, while a 520 Hz pure tone is presented to the subject's left ear, the listener will hear beating at a rate of 10 Hz, just as if the two tones were presented monaurally, but the beating will have an element of lateral motion as well.

  7. Tonic sol-fa - Wikipedia

    en.wikipedia.org/wiki/Tonic_sol-fa

    Solfège table in an Irish classroom. Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.