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Pewabic Pottery is a ceramic studio and school in Detroit, Michigan. Founded in 1903, ... Texas, [11] [12] and the Shedd Aquarium in Chicago, Illinois. [9]
Mary Louise McLaughlin (September 29, 1847 – January 19, 1939) was an American ceramic painter and studio potter from Cincinnati, Ohio, and the main local competitor of Maria Longworth Nichols Storer, who founded Rookwood Pottery. Like Storer, McLaughlin was one of the originators of the art pottery movement that swept the United States.
After the Great Chicago Fire of 1871, Haegar shipped bricks into the city to help rebuild Chicago. By the 1920s the brickyard's production included teaware, luncheonware, crystal and glassware. At the Century of Progress Exposition in 1934 in Chicago, Haeger Potteries' exhibit included a working ceramic factory where souvenir pottery was made. [1]
Giannini and Hilgart is a studio established in 1899 which manufactured stained glass windows. [1] It was formed by Orlando Giannini, a Swiss-Italian from Ohio, and Frederick Hilgart, born in Germany. [2] [3] The studio created and designed colorful glass windows for businesses, homes, churches, [4] [5] [6] fireplaces, [7] and mantels.
Wheatley Pottery Company produced ornamental vases, lamps, and ceramic tile in Cincinnati, Ohio. Their autumn leaf tiles were used on the Franklin Building , along Printer's Row in Chicago. The MET has an earthenware umbrella stand from the company in its collection.
After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery have flourished in Australia. [115]
Rookwood Pottery is an American ceramics company that was founded in 1880 and closed in 1967, before being revived in 2004. It was initially located in the Over-the-Rhine neighborhood in Cincinnati, Ohio , and has now returned there.
Benedict created opportunities for artists to exhibit their works, including the Art Institute of Chicago. Reported in Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40: "In proportion to enrollment, there probably have been more exhibiting artists who started in its classes than in most other schools in the country." [10]