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Lal Dupatta (transl. "Red Scarf") is a 1948 Indian Hindi-language drama film directed by K. B. Lall and produced by Akash Chitra. [1] Starring Madhubala, Rajan Haskar and D. K. Sapru, the film tells the story of Shobha, a headstrong village girl whose romance with a zamindar goes into awry due to some misunderstandings.
Lal Dupatta Malmal Ka is a 1988 Hindi direct-to-video film. It starred Sahil Chaddha and Veverly in . It starred Sahil Chaddha and Veverly in . A sequel titled Phir Lehraya Lal Dupatta Malmal Ka was made later that year with Sahil and Veverly reprising their roles.
Lal Dupatta Malmal Ka "Na Jaane Kyun Main Bekaraar" Anand–Milind Majrooh Sultanpuri Anuradha Paudwal "Kya Karte The Sajna" Lashkar "Swaarg Se Pyara Hai Apna Chhota Sa Ghar" Nadeem–Shravan Anwar Sagar Mohammed Aziz, Kavita Krishnamurthy, Sarika Kapoor Main Tera Dushman "Baaje Mera Bichhua" Laxmikant–Pyarelal Sameer Anuradha Paudwal
A dupatta is traditionally worn over the left shoulder in India, and tucked in to a skirt on the opposite side. However, the dupatta can be free hanging over the shoulder, or, across the neck and behind both shoulders. A modern variation is to allow the length of the dupatta to drape elegantly around the waist and through the arms at the front.
Mohammed Aziz (born as Syed Mohammed Aziz-Un-Nabi; 2 July 1954 – 27 November 2018), also known as Munna, was an Indian multilingual playback singer who primarily sang for the Bollywood, Odia films, [2] Bengali.
Surinder Kaur (25 November 1929 – 14 June 2006) was an Indian singer and songwriter. While she mainly sang Punjabi folk songs, where she is credited for pioneering and popularising the genre, Kaur also recorded songs as a playback singer for Hindi films between 1948 and 1952.
Asrar ul Hassan Khan (1 October 1919 − 24 May 2000), better known as Majrooh Sultanpuri, was an Indian Urdu poet and lyricist in the Hindi language film industry. [1] He wrote lyrics for numerous Hindi film soundtracks.
The poem includes a reference to the town of Sehwan, and the word "Lal" can refer to Lal Shahbaz Qalandar as a young man, his legendary ruby glow, or his red dress. [2] Bulleh Shah gave an entirely different color to the qawwali, adding verses in praises of Shahbaz Qalandar and giving it a large tint of Sindhi culture.