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Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids.
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
The innermost layer of a woman's clothing was a linen or woolen chemise or smock, some fitting the figure and some loosely garmented, although there is some mention of a "breast girdle" or "breast band" which may have been the precursor of a modern bra. [25] Women also wore hose or stockings, although women's hose generally only reached to the ...
During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace. Smocks were made of rectangular lengths of linen; in northern Europe the smock skimmed the body and ...
A Renaissance Festival (medieval fair or ren faire) is an outdoor gathering that aims to entertain its guests by recreating a historical setting, most often the English Renaissance. Renaissance festivals generally include costumed entertainers or fair-goers, musical and theatrical acts, art and handicrafts for sale, and festival food.
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
Men and women wore outer clothes with detachable and often slashed sleeves of varied designs. Wealthy people owned many different pairs of sleeves to match their overcoats and dresses. [6] [7] The Renaissance changed societal attitudes toward clothing and appearance. Men in particular wanted to wear more fitted clothes to emphasize their body ...
Arnold, Janet: Patterns of Fashion 1 (cut and construction of women's clothing, 1660–1860), Wace 1964, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 978-0-89676-026-4; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 978-0-8109-6317-7