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The House of German Art in Munich. The early twentieth century was characterized by startling changes in artistic styles. In the visual arts, such innovations as cubism, Dada and surrealism, following hot on the heels of Symbolism, post-Impressionism and Fauvism, were not universally appreciated.
German art has a long and distinguished tradition ... The group survived until the 1930s, ... was an art movement which arose in Germany during the 1920s as an ...
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
The artists of the November Group kept the spirit of radicalism alive in German art and culture during the Weimar Republic. Many of the painters, sculptors, music composers, architects, playwrights, and filmmakers who belonged to it, and still others associated with its members, were the same ones whose art would later be denounced as ...
During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists ...
The Degenerate Art exhibition (German: Die Ausstellung "Entartete Kunst") was an art exhibition organized by Adolf Ziegler and the Nazi Party in Munich from 19 July to 30 November 1937. The exhibition presented 650 works of art, confiscated from German museums, and was staged in counterpoint to the concurrent Great German Art Exhibition. [1]
Most modern art movements were international in scope. Impressionism – 1860 – 1890, France ... 1930, Germany Die Brücke – 1905 – 1913, Germany;
The Dresdner Sezession (Dresden Secession) was an art group aligned with German Expressionism founded by Otto Schubert, Conrad Felixmüller and his pupil Otto Dix in Dresden, during a period of political and social turmoil in the aftermath of World War I. The group's activity spanned from 1919 until its final collective exhibition in 1925.