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The Apotheosis of Homer is a grand 1827 painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, now exhibited at the Louvre as INV 5417. The symmetrical composition depicts Homer being crowned by a winged figure personifying Victory or the Universe. Forty-four additional figures pay homage to the poet in a kind of classical ...
The 1827 Salon became a confrontation between the neoclassicism of Ingres's Apotheosis and a new manifesto of romanticism by Delacroix, The Death of Sardanapalus. Ingres joined the battle with enthusiasm; he called Delacroix "the apostle of ugliness" and told friends that he recognized "the talent, the honorable character and distinguished ...
Study for Phidias in “The Apotheosis of Homer”, oil on canvas painting by Jean-Auguste-Dominique Ingres, 1827, San Diego Museum of Art Depicted people Phidias
The Apotheosis of Homer, by Archelaus of Priene. Marble relief, possibly of the 3rd century BC, now in the British Museum. The Apotheosis of Homer is a common scene in classical and neo-classical art, showing the poet Homer's apotheosis or elevation to divine status. Homer was the subject of a number of formal hero cults in
The Apotheosis of Catherine of Braganza; The Apotheosis of Claudius; Apotheosis of Democracy; Apotheosis of Homer; The Apotheosis of Homer (Dalí) The Apotheosis of Homer (Ingres) Apotheosis of Palermo; Apotheosis of Saint Sebastian; Apotheosis of St. Louis; The Apotheosis of Voltaire; The Apotheosis of War; The Apotheosis of Washington
The woman painted by Ingres is a personification of the Odyssey and originally featured in another of his works, The Apotheosis of Homer (1827). The Odyssey was bequeathed to the Museum of Fine Arts in Lyon by Joseph Gillet in 1923.
The Apotheosis of Homer is a common classical and neo-classical art scene showing the poet apotheosis of Homer. The Apotheosis of Homer may also refer to: The Apotheosis of Homer, a 1944–1945 painting by Salvador Dalí; The Apotheosis of Homer, 1827 painting by Jean Auguste Dominique Ingres
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