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The culture of Vietnam (Vietnamese: Văn hoá Việt Nam, chữ Hán: 文化越南) are the customs and traditions of the Kinh people and the other ethnic groups of Vietnam. Vietnam is part of Southeast Asia and the Sinosphere due to the influence of Chinese culture on Vietnamese culture.
There are 54 ethnic groups in Vietnam as officially recognized by the Vietnamese government. [1] Each ethnicity has their own unique language, traditions, and culture. The largest ethnic groups are: Kinh 85.32%, Tay 1.92%, Thái 1.89%, Mường 1.51%, Hmong 1.45%, Khmer 1.32%, Nùng 1.13%, Dao 0.93%, Hoa 0.78%, with all others accounting for the remaining 3.7% (2019 census). [2]
Chữ khoa đẩu is a term claimed by the Vietnamese pseudohistorian Đỗ Văn Xuyền to be an ancient, pre-Sinitic script for the Vietnamese language. Đỗ Văn Xuyền's works supposedly shows the script have been in use during the Hồng Bàng period, and it is believed to have disappeared later during the Chinese domination of Vietnam .
The mythology of the ethnic Vietnamese people (the Việt,) has been transferred through oral traditions and in writing. The story of Lạc Long Quân and Âu Cơ has been cited as the common creation myth of the Vietnamese people. The story details how two progenitors, the man known as the Lạc Long Quân and the woman known as the Âu Cơ ...
Võ Việt Nam (Cuton) or Võ Đạo of Phạm Văn Tan. [2] Vietnamese Wing Chun - a style of Wing Chun founded by Yuen Chai-wan. [3] Overseas. Cuong Nhu of Ngô Đồng (d. Florida 2000), known also by the Japanese title O Sensei. Qwan Ki Do, founded in France. [4] Tam Qui Khi-Kong, now popular in Russia. Traditional Vietnamese wrestling.
Đạo is a Sino-Vietnamese word for "religion," similar to the Chinese term dao meaning "path," while Mẫu means "mother" and is loaned from Middle Chinese /məuX/. While scholars like Ngô Đức Thịnh propose that it represents a systematic worship of mother goddesses, Đạo Mẫu draws together fairly disparate beliefs and practices.
As with other examples of cultural assimilation, it is partly voluntary and partly forced and most visible in territories where the Vietnamese language or culture had been dominant or their adoption would result in increased prestige or social status, as was the case of nobility in Champa and other minorities like Tai, Chinese, and Khmers ...
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