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Maria Lassnig (8 September 1919 – 6 May 2014) was an Austrian artist known for her painted self-portraits and her theory of "body awareness". [1] She was the first female artist to win the Grand Austrian State Prize in 1988 and was awarded the Austrian Decoration for Science and Art in 2005.
Mimi Pond - Mimi's Page, Famous Waitress School, Over Easy, The Customer Is Always Wrong [119] Liz Prince – Will You Still Love Me If I Wet the Bed; Trina Robbins – Ms. Tree; Vanessa Satone – Wasted Minds [120] Mari Schaal – Estrus [121] Gail Schlesser [122] Ariel Schrag – Awkward; Dori Seda
Although, traditionally, female comics creators have long been a minority in the industry, they have made a notable impact since the very beginning, and more and more female artists are getting recognition along with the maturing of the medium. Women creators have worked in every genre, from superheroes to romance, westerns to war, crime to horror.
See also List of female comics creators. This is a non-diffusing subcategory of Category:Comics artists . It includes artists that can also be found in the parent category, or in diffusing subcategories of the parent.
Pages in category "Female characters in comics" The following 200 pages are in this category, out of approximately 439 total. This list may not reflect recent changes .
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
In medieval England, the bugbear was depicted as a creepy bear that lurked in the woods to scare children. It was described in this manner in The Buggbears, [2] an adaptation, with additions, from Antonio Francesco Grazzini’s La Spiritata (‘The Possessed [Woman]’, 1561). [3] In a modern context, the term bugbear may also mean pet peeve. [4]
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...