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The bansuri-like flute is depicted in ancient Buddhist, [4] Hindu [5] and Jain temple paintings and reliefs, and is common in the iconography of the Hindu god Krishna. [6] [7] It is intimately linked to the love story of Krishna and Radha. [8] The bansuri is revered as Lord Krishna's divine instrument and is often associated with Krishna's Rasa ...
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The flute (venu) finds great mention in Indian mythology and folklore having been listed as among the three original instruments meant for music along with the human voice and the veena (vaani-veena-venu). [7] The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India.
Krishna's ras leela or love play with Radha and other gopis of Vrindavan appear frequently. As an example, here are the lyrics of a thumrī composed by the medieval poet Lalan, celebrating Krishna's flute – how its tunes are driving Radha mad. Braj or Vrindavan is where Krishna is indulging in this love play; Radha is the "Girl of Braj".
Murali or Flute :The bansuri is revered as Lord Krishna's divine instrument and is often associated with Krishna's Rasa lila dance. These legends sometimes use alternate names for this wind instrument, such as the murali. However, the instrument is also common among other traditions such as Shaivism.
The Raslila takes place one night when the gopis of Vrindavana, upon hearing the sound of Krishna's flute, sneak away from their households and families to the forest to dance with Krishna throughout the night, which Krishna supernaturally stretches to the length of one kalpa, a Hindu unit of time lasting approximately 4.32 billion years.
The raga is of shaadava-sampurna nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture its essence using arohana and avarohana.
The devotional hymn "Madhurāṣṭakam" of Vallabha was created to lead the devotee in Pustimarga, the Path of Grace, which involves a constant love-filled devotion to Krishna by various acts of homage, such as singing , remembering (smarana), conceptualising and beholding a beatific image of the deity and offering of services (seva ...