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The Very Best of Slade is a compilation album by the British rock band Slade. It was released in 2005 and reached No. 39 in the UK charts, remaining in the charts for four weeks. [1] The album has sold 139,390 copies as of November 2015. [2] A DVD of the same name was also released at the same time.
Slade in Flame (1975) Wall of Hits (1991) Inside Slade – The Singles 1971–1991 (2004) The Very Best of Slade (2005) Slade Alive! – The Ultimate Critical Review (2006) Slade – Live at Koko (2015)
Feel The Noize – Greatest Hits is a compilation album by the British rock band Slade. It was released in January 1997 and reached No. 19 in the UK charts, remaining in the charts for six weeks. [1] The success of the compilation encouraged other bands of the Glam Rock era to release their own 'Greatest Hits' packages.
Horowitz also felt that Slade's music is "heavy on stomping beats and impossibly catchy choruses made for stadium-sized, chanting" and their "music may seem simplistic and somewhat repetitious, but writing anthemic choruses meant to be shouted by well-oiled fans cranked up at ear-splitting volume is a talent few can pull off, let alone as ...
Slades Greats is a compilation album by the British rock band Slade.It was released by Polydor on 25 May 1984 and reached No. 89 in the UK charts. [2] The compilation, a revised re-issue of the 1980 compilation Slade Smashes!, was released following the band's late 1983-early 1984 success with the singles "My Oh My" and "Run Runaway".
Pages in category "Slade compilation albums" ... Feel the Noize – Greatest Hits; G. ... The Slade Collection Vol. 2, 79–87;
Non-album Single Holder, Lea Cum On Feel the Noize: 1973 Non-album Single Holder, Lea Daddio 1978 B-Side of "Give Us a Goal" single Holder, Lea Dapple Rose 1970 Play It Loud Lea, Powell Darling Be Home Soon: 1972 Slade Alive! (live only) John Sebastian: Dead Men Tell No Tales 1977 Whatever Happened to Slade Holder, Lea Delighted to See You 1967
[8] NME commented on Slade's legacy in a review of a greatest hits album, "They embodied the glorious absurdity of the greatest pop, in the sideburns, the mirrored top hat and Dave Hill's pudding bowl haircut. As such they were the simplest, most effective possible, riposte to prog rock's bloated pretensions and pseudo-intellect."