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The Passing of the Great Race: Or, The Racial Basis of European History is a 1916 racist and pseudoscientific [1] [2] book by American lawyer, anthropologist, and proponent of eugenics Madison Grant (1865–1937). Grant expounds a theory of Nordic superiority, claiming that the "Nordic race" is inherently superior to other human "races".
Stephen Jay Gould described The Passing of the Great Race as "the most influential tract of American scientific racism". [22] The Passing of the Great Race was published in multiple printings in the United States, and was translated into other languages, including German in 1925. By 1937, the book had sold 16,000 copies in the United States alone.
Nordicism is an ideology which views the "Nordic race" (a historical race concept) as an endangered and superior racial group.Some notable and influential Nordicist works include Madison Grant's book The Passing of the Great Race (1916); Arthur de Gobineau's An Essay on the Inequality of the Human Races (1853); the various writings of Lothrop Stoddard; Houston Stewart Chamberlain's The ...
The Passing of the Great Race; The Rising Tide of Color Against White World-Supremacy; The Shepherd's Chapel; The Turner Diaries; The White Man's Burden; Thomas D. Rice; Thomas Edwin Blanton Jr. Thomas Jefferson and slavery; Thomas Robb (Ku Klux Klan) Three-fifths Compromise; Timeline of Racial Tension in Omaha, Nebraska; Tom Metzger; Tulsa ...
Hitler's views on race and people are found throughout his autobiographical manifesto Mein Kampf but more specifically, they are found in chapter 11, the title of which is "Nation and Race". The standard-issue propaganda text which was issued to members of the Hitler Youth contained a chapter on "The German Races" that heavily cited the works ...
The text passes for something that it is not, and thereby destabilizes the reader's "reading" of race, as well as changes the reader's approach to texts addressing racial issues. [31] Along with the theme of passing on the narrative level, Chesnutt's short story "enact[s] a profound destabilization of constructs of race, identity, and finally ...
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One, titled "Passing" in the 1934 collection The Ways of White Folks, concerns a son who thanks his mother for literally disregarding him on the street as he is passing for white. The other, titled "Who's Passing for Who" (1952), portrays a couple whose racial ambiguity leads to questioning whether they are passing for white or for black.