Ad
related to: towards a feminist poetics summary
Search results
Results From The WOW.Com Content Network
Elaine Showalter (born January 21, 1941) [1] is an American literary critic, feminist, and writer on cultural and social issues.She influenced feminist literary criticism in the United States academia, developing the concept and practice of gynocritics, a term describing the study of "women as writers".
The interest of American feminist poets in the rights of minorities have often put them in conflict with American institutions like the American Academy of Poets. [2] One of the strategies of feminist poets is to demonstrate "their opposition to a dominant poetry culture that does not recognize the primacy of gender and other oppressions". [2]
This is a list of feminist poets. Historically, literature has been a male-dominated sphere, and any poetry written by a woman could be seen as feminist . Often, feminist poetry refers to that which was composed after the 1960s and the second wave of the feminist movement.
Modern feminist literary criticism finds most of its roots in the 1960s second-wave feminist movements. Beginning with the interrogation of male-centric literature that portrayed women in a demeaning and oppressed model, theorists such as Mary Ellman, Kate Millet and Germaine Greer challenged past imaginations of the feminine within literary ...
Her research and expertise has covered feminist theory, feminist criticism, animal ethics, and both early modern and American (particularly 19th century) literature with a special focus on American writer Sarah Orne Jewett and the local colorists. She recently extended her study of local color literature to the European tradition.
Denise Levertov wrote many poems with religious themes throughout her career. These poems range from religious imagery to implied metaphors of religion. One particular theme was developed progressively throughout her poetry. This was the pilgrimage/spiritual journey of Levertov towards the deep spiritual understanding and truth in her last poems.
Sandra Ellen Mortola was born in New York City on December 27, 1936, and grew up in Jackson Heights, Queens. [4] In 1957, she married Elliot Gilbert. [4]Gilbert received her B.A. from Cornell University, her M.A. from New York University, and her Ph.D. in English literature from Columbia University in 1968.
Like post-structuralism itself, the feminist branch is in large part a tool for literary analysis, but it also deals in psychoanalysis and socio-cultural critique, [3] and seeks to explore relationships between language, sociology, subjectivity and power-relations as they impact upon gender in particular.