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Elaine Showalter (born January 21, 1941) [1] is an American literary critic, feminist, and writer on cultural and social issues.She influenced feminist literary criticism in the United States academia, developing the concept and practice of gynocritics, a term describing the study of "women as writers".
According to Elaine Showalter, [2] gynocritics is the study of not only the female as a gender status but also the 'internalized consciousness' of the female. The uncovering of the female subculture and exposition of a female model is the intention of gynocriticism, [ 3 ] comprising recognition of a distinct female canon where a female identity ...
American feminist critic and writer Elaine Showalter defines this movement as "the inscription of the feminine body and female difference in language and text." [ 14 ] Écriture féminine places experience before language, and privileges non-linear, cyclical writing that evades "the discourse that regulates the phallocentric system."
Elaine Showalter suggests that feminist critique is an "ideological, righteous, angry, and admonitory search for the sins and errors of the past," and says gynocriticism enlists "the grace of imagination in a disinterested search for the essential difference of women's writing." [6]
Showalter, Elaine, A Literature of their own: from Charlotte Bronte to Doris Lessing. London: Virago Press, 1977. Spacks, Patricia Meyer, The Female Imagination: A Literary and Psychological Investigation of women's writing. George Allen and Unwin, 1976. Spencer, Jane, The Rise of the Woman Novelist. Oxford: Basil Blackwell, 1986. ISBN 0-631 ...
It's worth noting that while this theme of female silence is prevalent throughout the written fairy tales published in Germany and enduring in America today, this trend wasn't always the norm: Charles Perrault's French renditions of these stories place greater value on beautiful women who are also articulate.
Logic suggests that someone who has served as public guardian, a lawyer appointed to represent minors in court, would be a by-the-book mother to her own children. But logic rarely appears in ...
The second Showalter calls "Gynocritics" – where the "woman is producer of textual meaning" including "the psychodynamics of female creativity; linguistics and the problem of a female language; the trajectory of the individual or collective female literary career and literary history".