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The harpsichord is typical of the early and ornate work of Jacob Kirckman, with an organ case that matches the marquetry and elaborate figured veneer of the harpsichord. The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a ...
The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. [1]
The instrument was successfully revived during the 20th century, first in an ahistorical form strongly influenced by the piano, then with historically more faithful instruments. The revival was the joint work of performers, builders, and composers who wrote new harpsichord pieces.
Reconstruction of a tangent piano according to historical examples by Dierik Potvlieghe. The tangent piano is a very rare keyboard instrument that resembles a harpsichord and early pianos in design. It normally features five octaves of keys and the strings are acted upon by narrow wooden or metal slips when the keys are depressed.
Perhaps the most celebrated composers who wrote for the harpsichord were Georg Friedrich Händel (1685–1759), who composed numerous suites for harpsichord, and especially J. S. Bach (1685–1750), whose solo works (for instance, The Well-Tempered Clavier and the Goldberg Variations), continue to be performed very widely, often on the piano.
Keyboard instruments are not usually a standard members of a 2010-era orchestra or concert band, but they are included occasionally. In orchestras from the 1600s to the mid-1750s, a keyboard instrument such as the pipe organ or harpsichord was normally played with an orchestra, with the performer improvising chords from a figured bass part.
Like the harpsichord, the virginals has its origins in the psaltery, to which a keyboard was applied, probably in the 15th century. The first mention of the word is in Paulus Paulirinus of Prague's (1413–1471) Tractatus de musica , of around 1460, where he writes: "The virginal is an instrument in the shape of a clavichord, having metal ...
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.