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Slade dominated the UK singles charts during the early 1970s, often outperforming chart rivals such as Wizzard, Sweet, T. Rex, Suzi Quatro, Mud, Gary Glitter, Roxy Music, and David Bowie. [6] Slade achieved twelve Top 5 hit singles in the UK between 1971 and 1974, three of which went straight to No. 1. [ 2 ]
Return to Base is the eighth studio album by the British rock group Slade.It was released on 1 October 1979 by Barn Records, and did not enter any national album charts.At the time of the album's release, the band's success had waned and were receiving little fortune.
The 1983 success of Quiet Riot's version of Slade's 1973 UK chart topper "Cum On Feel the Noize" led to Slade signing with CBS for their first American record deal since the 1970s. The label soon repackaged the band's recently released album, The Amazing Kamikaze Syndrome , into Keep Your Hands Off My Power Supply .
In January 1984, "Run Runaway" was released as the album's third single and reached No. 7 on the UK Singles Chart. [14] The 1983 success of Quiet Riot's version of Slade's 1973 UK chart topper "Cum On Feel the Noize" led to Slade signing with CBS Associated Records for their first American record
Slade Alive! is the first live album by the British rock band Slade. The album was released on 24 March 1972 and reached No. 2 on the UK Albums Chart , remaining in the chart for 58 weeks. [ 1 ] It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. 158.
Till Deaf Do Us Part is the tenth studio album by the British rock group Slade. It was released on 13 November 1981 and reached No. 68 on the UK charts. [1] The album was produced by Slade. Although not as successful as We'll Bring the House Down earlier in the year, this album sold well.
"Look Wot You Dun" is a song by the British rock band Slade, released in 1972 as a non-album single. The song was written by lead vocalist Noddy Holder, bassist Jim Lea and drummer Don Powell, and produced by Chas Chandler. It reached No. 4 in the UK, remaining in the charts for ten weeks. [3]