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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
Prominent features of these quilts include: 1) blocks pieced in a repeating pattern but varied by changing figure-ground relationships and, at times, obscured by the use of same-value colors and adjacent print fabrics, 2) lack of contrasting borders, and 3) a unified all-over quilting pattern, typically the "fans" design or rows of concentric arcs.
His son Iain Bain, an engineer, later wrote two books - "Celtic Knotwork" and "Celtic Key Patterns" that were intended to simplify the creation of knotwork and keypattern designs by using grid lines and diagonals rather than the mathematical formulae applied by his father.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Gavelkind (/ ˈ ɡ æ v əl k aɪ n d /) was a system of land tenure chiefly associated with the Celtic law in Ireland and Wales and with the legal traditions of the English county of Kent. The word may have originated from the Old Irish phrases Gabhaltas-cinne or Gavail-kinne, which meant "family settlement" (Modern Gaelic gabhail-cine). [1]
Women in Britain 2,000 years ago appear to have passed on land and wealth to daughters not sons as communities were built around women's blood lines, according to new research.