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The True Vine (Greek: ἡ ἄμπελος ἡ ἀληθινή hē ampelos hē alēthinē) is an allegory or parable given by Jesus in the New Testament. Found in John 15:1–17 , it describes Jesus' disciples as branches of himself, who is described as the "true vine", and God the Father the "husbandman".
In Christian iconography, the vine also frequently appears. It is mentioned several times in the New Testament. We have the parable of the kingdom of heaven likened to the father starting to engage laborers for his vineyard. The vine is used as symbol of Jesus Christ based on his own statement, "I am the true vine (John 15:1)."
The vine is used as symbol of Jesus Christ based on his own statement, "I am the true vine (John 15:1)." In that sense, a vine is placed as sole symbol on the tomb of Constantine the Great . The grape vine
The Klosterneuburg Altar, made in 1181 by Nicholas of Verdun, includes the scene with this meaning. [23] Another biblical theme linked to the winepress referenced by commentators was the allegory of the "Vineyard of God" or "True Vine", found in Isaiah 27:2–5, John 15:1 and Matthew 21:33–45, understood as a metaphor for the church. [24]
In terms of the expression "true light," Lapide says that "because Christ illuminates us far more truly and perfectly than any corporeal light does, therefore spiritual light alone deserves the name of light." He goes on to say that visible light is merely a shadow of the true. In like manner Christ says in John 15:1, "I am the true Vine."
A vine (from Latin vīnea 'grapevine, vineyard'; from vīnum 'wine') is any plant with a growth habit of trailing or scandent (that is, climbing) stems, lianas, or runners. The word vine can also refer to such stems or runners themselves, for instance, when used in wicker work.
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In the Gospel of John, Jesus reveals his divine role publicly. Here he is the Bread of Life, the Light of the World, the True Vine, and more. [80] The authors of the New Testament generally showed little interest in an absolute chronology of Jesus or in synchronizing the episodes of his life with the secular history of the age. [86]