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The áo dài Le Mur, or "trendy" ao dai, created a sensation when model Nguyễn Thị Hậu wore it for a feature published by the newspaper Today in January 1935. [19] The style was promoted by the artists of Tự Lực văn đoàn ("Self-Reliant Literary Group") as a national costume for the modern era. [ 20 ]
The Ao Nhat Binh (chữ Nôm: 襖日平, Vietnamese: Áo Nhật Bình, lit. 'rectangle-collared garb'), which was a casual outer garment worn by the female royal family, female officials, and high noble ladies of the Nguyen dynasty during informal occasions, originated from the Ming dynasty pifeng ( Vietnamese : Áo Phi Phong ) which was ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
Wedding dress from 1891. Until the late 1960s wedding dresses reflected the styles of the day; since then they have often been based on Victorian styles. Weddings performed during and immediately following the Middle Ages were often more than a personal union between two individuals. They frequently symbolized a union between families ...
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [ 3 ] [ 4 ] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
It shares design aspects with several traditional garments from other cultures, including the Vietnamese Ao Dai, the Indian Kurta, and the Malaysian Baju Kurung. A distinctive detail of the Av Bupok is a small hidden cut at the hem, akin to an Av Dai, allowing the lower part of the shirt to spread out.
While the bottom of the yếm are v-shaped, there were different styles for the top of the garment which covered the neck, the most common two variations being the rounded neck or the v-shaped neck style. Some types of yếm have a little pocket within, where women often used to store a little musk or perfume.