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This is a wide-ranging, inclusive list of percussion instruments. It includes: Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted.
In 1974 Meinl was the first cymbal company to offer pre-pack cymbal sets. [2] Meinl's initial cymbal production focused on low-budget cymbals, and it wasn't until 1984 with the "Profile Series" that Meinl started to really focus on professional-level cymbals. [3] The first Meinl pro series was the "King-Beat Series", introduced in 1976. [2]
The range began with a 12-inch cymbal, while hi-hats could be specified in 13, 14 or 15 inch pairs. 16, 18, 20 and 22 inch cymbals were all available as a ride, crash, or crash-ride. Sizzle cymbals (factory-fitted with rivets), could be ordered in 18 and 20 inch sizes. Concert cymbals were available in 14, 15 and 16 inch pairs.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
This is a list of some drum makers, individuals and companies known for making drums and accessories, such as drum sticks. It includes defunct companies, and companies who additionally make instruments other than drums, and manufacturers of cymbals, which are a common component of drum sets.
The new cymbals he developed were widely adopted by swing and later bebop musicians, laying the foundations of the modern drum kit and playing technique. [9] Sales of Zildjian cymbals dramatically increased after Ringo Starr used the product in The Beatles' appearance on The Ed Sullivan Show in 1964. [29] This created an enormous backorder ...
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an entire drum kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers ...
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