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Nr. 1 in F minor (played by Wolfram Syré) No. 2 in C minor No. 3 in A major No. 4 in B-flat major No. 5 in D major No. 6 in D minor. The six sonatas are: No. 1 in F minor (Allegro – Adagio – Andante recitativo – Allegro assai vivace) No. 2 in C minor (Grave – Adagio – Allegro maestoso e vivace – Fugue: Allegro moderato)
Op. Posth. 104b, 3 Études for piano (1834/38) No. 1 Étude in B-flat minor (MWV U 117) No. 2 Étude in F major (MWV U 100) No. 3 Étude in A minor (MWV U 142) Op. Posth. 105, Piano Sonata No. 2 in G minor (1821) (MWV U 30) (actually Mendelssohn's 1st Piano Sonata) Op. Posth. 106, Piano Sonata No. 3 in B-flat major (1827) (MWV U 64)
Mendelssohn began work on the Violin Sonata in 1838, the same year he started work on the Violin Concerto in E minor. By the 15th of June 1838 he had completed the composition in draft form, but rejected the work as a "wretched sonata". [a] [3] It was not until 1839 that Mendelssohn began work on revising the sonata by rewriting the first ...
The Concerto for Violin and String Orchestra in D minor, MWV O 3, was composed by Felix Mendelssohn at the age of thirteen. It has three movements, Allegro–Andante–Allegro, and performance duration is approximately 22 minutes.
Violin Sonata No. 2 in D major, Op. 3; Violin Sonata No. 3 in A major, Op. 41; Violin Sonata No. 4 in C major, Op. 72 (gave rise to a scandal at its premiere with a work by Ludwig Thuille) Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A major, Op. 103b/2
Mendelssohn's concerto is similar in structure to Weber's Piano Concerto No. 2 in E-flat major, Op. 32. From Mendelssohn's own works, the use of just a string section as orchestral accompaniment is reminiscent of his String Symphonies, twelve of which he had written by the end of the year under the influence of C.P.E. Bach's Sinfonias.