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Rome was founded as a monarchy under Etruscan rule, and remained as such throughout the first two and a half centuries of its existence. Following the expulsion of Rome's last king, Lucius Tarquinius Superbus, or "Tarquin the Proud," circa 509 BC, Rome became a republic and was henceforth led by a group of magistrates elected by the Roman people.
Eucharis would most likely have primarily performed as a dancer, as few other roles were open to women. [2] Her epitaph states that she had recently danced at "the games of the nobles", [3] [4] and that she had performed on the Greek stage before the People. [5] Eucharis was originally a slave, then a freedwoman, of the Roman woman Licinia. [6]
Roman wives were expected to bear children, but the women of the aristocracy, accustomed to a degree of independence, showed a growing disinclination to devote themselves to traditional motherhood. By the 1st century CE, most elite women avoided breast-feeding their infants themselves and thus hired wet-nurses. [93]
Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
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Various lists regarding the political institutions of ancient Rome are presented. [1] Each entry in a list is a link to a separate article. Categories included are: constitutions (5), laws (5), and legislatures (7); state offices (28) and office holders (6 lists); political factions (2 + 1 conflict) and social ranks (8).
A woman from the gens Aemilia would be called Aemilia; from the gens Cornelia, Cornelia; from the gens Sempronia, Sempronia; and so on. If there were many daughters, a cognomen such as Tertia (Third) could indicate birth order, for example, Aemilia Tertia, the wife of Scipio Africanus. (She, however, is better known as Aemilia Paulla.)
The Cerealia were celebrated in ancient Rome with a ceremony and then with the ludi cerealici in the Circus Maximus (painting by Lawrence Alma-Tadema, 1894).. The spectacles in ancient Rome were numerous, open to all citizens and generally free of charge; some of them were distinguished by the grandeur of the stagings and cruelty.