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  2. Shirtdress - Wikipedia

    en.wikipedia.org/wiki/Shirtdress

    Shirtdresses were sometimes called "shirtwaist dresses" when they were fashionable during the 1950s. The 1950s version of the shirtdress was launched as part of Christian Dior's post–World War II "New Look" couture designs, with a full skirt held up by wearing a crinoline. [1]

  3. 1930–1945 in Western fashion - Wikipedia

    en.wikipedia.org/wiki/1930–1945_in_Western_fashion

    The shirtwaist dress, an all-purpose garment, also emerged during the 1930s. The shirtwaist dress was worn for all occasions, besides those that were extremely formal, and were modest in design. The dress could either have long or short sleeves, a modest neckline and skirt that fell below the knee.

  4. 1945–1960 in Western fashion - Wikipedia

    en.wikipedia.org/wiki/1945–1960_in_Western_fashion

    In the 1950s, Lucille Ball was the first woman to show her pregnancy on TV. [41] [42] The television show I Love Lucy brought new attention to maternity wear. Most of the maternity dresses were two pieces with loose tops and narrow skirts. Stretch panels accommodated for the woman's growing figure.

  5. Category:1950s fashion - Wikipedia

    en.wikipedia.org/wiki/Category:1950s_fashion

    Brightly colored clothes and accessories became fashionable in the 1950s and the bikini was developed. The main article for this category is 1945–1960 in Western fashion . See also: Category:1950s clothing

  6. Waist (clothing) - Wikipedia

    en.wikipedia.org/wiki/Waist_(clothing)

    From the early 19th century through the Edwardian period, the word waist was a term common in the United States for the bodice of a dress or for a blouse or woman's shirt.A shirtwaist was originally a separate blouse constructed like a shirt; i.e., of shirting fabric with turnover collar and cuffs and a front button closure.

  7. The Clue of the Velvet Mask - Wikipedia

    en.wikipedia.org/wiki/The_Clue_of_the_Velvet_Mask

    These editions had internal references to other volumes removed, and contain no clues of sequencing. Bolian adapts, with less action, the same scene as the original frontispiece, for the cover art; Nancy and Bess, in vivid 1950s shirtwaist dresses, spy on Mr. Tombar from a ruined garden.