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Filipino hip-hop is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans. The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop ...
Music portal; Subcategories. This category has the following 3 subcategories, out of 3 total. F. Filipino classical musicians (2 C, 1 P) Filipino orchestras (10 P) O.
"Ikaw Na" (2014), music and lyrics by Dindo Purto, SSP "MaGMAhalan Tayo Ngayong Pasko" (2015), written by Brian James Camaya and Clare Yee and music by Simon Peter Tan and sung by Alden Richards "Thank You For The Love" (2015), written by Robert Labayen and music by Thyro Alfaro and Yumi Lacsamana "Nakakamiss ang Pasko" (2015), written by Cl.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
The song is known in the United States because of the Filipino-English lyrics by Tom Spinosa (original lyrics by Dominador Santiago) and Mike Velarde Jr. It was recorded by Cora and Santos Beloy, and released in 1964 by Tri-World Records. [21] This rendition of the song has a 1964 copyright owned by Dexter Music Co.
"Sa Ugoy ng Duyan" (literally in Tagalog: "In the Rocking of the Cradle"; official English title: "The Sway of the Baby Hammock" [1]) is a Filipino lullaby. The music was composed by Lucio San Pedro while the lyrics were written by Levi Celerio. [1] Both of them were National Artists of the Philippines and this song was their most popular ...
Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
"The Music and Theater of the Filipino People" by R.C. Banas, from El Filipino: Revista mensual Vol I No. 9 (1926) "The Filipino Folk Song" by Percy Hill from the Philippine magazine, Vol. XXIII, no. 3, Philippine Education Co. Manila, 1926, p. 147 "El Indio Batangueno" by Wenceslao E. Retana, Manila, Tipo-Litografia de Chofre y Cia, 1888. p. 25