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According to Stephanie W. Jamison and Joel P. Brereton – Indologists known for their translation of the Ṛg-veda – the Vedic Sanskrit literature "clearly inherited" from Indo-Iranian and Indo-European times the social structures such as the role of the poet and the priests, the patronage economy, the phrasal equations, and some of the ...
Bhāṣā (or one of its derived forms) is the word for "language" in many South and Southeast Asian languages, which derives from the Sanskrit word bhāṣā (भाषा) meaning "speech" or "spoken language". In transliteration from Sanskrit or Pali, bhasa may also be spelled bhasa, basa, or phasa.
The language of Jaap, is close to classical with words and compounds drawn from Sanskrit, Brij Bhasha, Arabic and Urdu. The contents of Jaap Sahib, are divided into various Chhands bearing the name of the related meter according to the then prevalent system of prosody in India.Jaap Sahib is a total and complete introduction to a non-individual ...
Bhashya (Sanskrit: भाष्य, Bhāṣya) is a "commentary" or "exposition" of any primary or secondary text in ancient or medieval Indian literature. [1] Common in Sanskrit literature, Bhashyas are also found in other Indian languages such as Tamil.
The Urubhanga and Karna-bhara are the only known tragic Sanskrit plays in ancient India. Though branded the villain of the Mahabharata, Duryodhana is the actual hero in Uru-Bhanga shown repenting his past as he lies with his thighs crushed awaiting death. His relations with his family are shown with great pathos.
The Indian Classical languages, or the Śāstrīya Bhāṣā or the Dhrupadī Bhāṣā (Assamese, Bengali) or the Abhijāta Bhāṣā (Marathi) or the Cemmoḻi (Tamil), is an umbrella term for the languages of India having high antiquity, and valuable, original and distinct literary heritage. [1]
Sant Bhasha (Gurmukhi: ਸੰਤ-ਭਾਸ਼ਾ; romanized: Sant Bhāṣā; lit. ' language of saints ' ) is a liturgical and scriptural language composed of vocabulary common to northern Indian languages , which was extensively used by saints and poets to compose religious verses.
The last line is a complete Sanskrit syllabary in Siddhaṃ script. Siddhaṃ (Sanskrit, accomplished or perfected), descended from the Brahmi script via the Gupta script, which also gave rise to the Devanagari script as well as a number of other Asian scripts such as Tibetan script.