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Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes—their quiet, meditative quality reflecting the artist's rejection of the tumult of modern life.
The Museo d'Arte Moderna di Bologna or MAMbo is a purpose-designed modern and experimental art museum in Bologna, Italy — and which includes The Museo Morandi , a collection of more than 250 works works by noted painter, Giorgio Morandi (1890–1964).
Giorgio Matteo Aicardi (1891–1985) Francesco Albani (1578–1660) Giacomo Albé (1829–1893) Giacomo Alberelli (1600–1650) Mariotto Albertinelli (1474–1515) Pietro Antoniani (c. 1740–1805) Ambrogio Antonio Alciati (1878–1929) Domenico Alfani (1479/1480–c. 1553) Girolamo Alibrandi (1470–1524) Silvio Allason (1845–1912) Giuseppe ...
Italian law makes an important distinction between "works of photographic art" and "simple photographs" (Art. 2, § 7). Photographs that are "intellectual work with creative characteristics" are protected for 70 years after the author's death (Art. 32 bis), whereas simple photographs are protected for a period of 20 years from creation.
The Accademia di Belle Arti di Bologna ('academy of fine arts of Bologna') is a public tertiary academy of fine art in Bologna, Italy. [2] It has a campus in Cesena . Giorgio Morandi taught engraving at the Accademia for more than 25 years.
Giorgio Morandi et l’abstraction du réel. June–September 2010. Hôtel départemental des arts du Var , Toulon, France. [7] Boccioni pittore scultore futurista, Palazzo Reale, Milan (6 October 2006 – 25 February 2007) Morandi Ultimo, nature morte 1950–1964, December 1997–February 1998, Galleria dello Scudo, Verona; April–September 1998.
As with all art, appreciation and love of Morandi's work is based on taste or individual liking. In the case of visual, intuitive art, the liking is not usually verbally, discursively communicable. This state of affairs is reminiscent of Spinoza ’s claim in Ethics , Part 4, Proposition 19: "According to the laws of his own nature each person ...
The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner.