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The extended play Gospel Oak (1997) and live album Live at the Sugar Club (2008) were also issued, and O'Connor's compilations consist of five sets—So Far... The Best Of (1997), Sinéad O'Connor: Best Of (2000), She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty (2003), Collaborations (2005) and ...
Theology is the eighth full-length album by Irish singer Sinéad O'Connor.It was released in 2007 on Rubyworks (and Koch Records in the US). The album consists of two discs, the acoustic "Dublin Sessions" and the full-band "London Sessions".
The album contains a cover of the Bob Marley song "War", which O'Connor famously performed on Saturday Night Live in 1992 while ripping up a photo of Pope John Paul II. [13] The cover art depicts a photograph of O'Connor in the dress and veil she wore at her First Holy Communion as a child. [14]
The first song on the album, "Feel So Different", starts with The Serenity Prayer by Reinhold Niebuhr. The album also includes O'Connor's rendition of "I Am Stretched on Your Grave", an anonymous 17th-century poem that was written in Irish, translated into English by Frank O'Connor, and composed by musician Philip King in 1979.
She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty is a 2003 double album by Sinéad O'Connor.. It is a two-CD set.The first CD collects several rare tracks O'Connor recorded as B-sides, for soundtrack albums or in collaboration with other artists, and the second disc contains a live concert.
Sinéad O’Connor, the Irish singer/songwriter of enormous talent and integrity who rose to fame in the late ‘80s, died in London on Wednesday at the age of 56. O’Connor’s second album ...
Unlike many O'Connor songs, "Fire on Babylon" doesn't build to a moment of catharsis: the steady rhythms keep rolling, leaving her stuck in a moment, pleading for the deliverance of change. 8. "No ...
Gospel Oak is an EP by Irish singer Sinéad O'Connor. The album sold 70,000 copies in the United States. [2] The album is named after the London neighbourhood of Gospel Oak where O’Connor was living at the time. [3] The cover photograph shows the two brick skew arch bridges adjacent to Gospel Oak railway station in north London.