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Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
Origami folders often use the Japanese word kirigami to refer to designs which use cuts. In the detailed Japanese classification, origami is divided into stylized ceremonial origami (儀礼折り紙, girei origami) and recreational origami (遊戯折り紙, yūgi origami), and only recreational origami is generally recognized as origami.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
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Origami paper and a traditional origami crane. Origami paper is the paper used for origami, the art of Japanese paper folding.The only real requirement of the folding medium is that it must be able to hold a crease, but should ideally also be thinner than regular paper for convenience when multiple folds over the same small paper area are required (e.g. such as would be the case if creating an ...
Shuriken are simple weapons, but their historical value has increased. [ 6 ] [ 7 ] Unlike the katana and other bladed weapons, antique shuriken are not often well preserved (although some are blackened in ash to prevent corrosion), largely due to their expendable nature.
A simple fractal tree A fractal "tree" to eleven iterations. The word "fractal" often has different connotations for mathematicians and the general public, where the public is more likely to be familiar with fractal art than the mathematical concept. The mathematical concept is difficult to define formally, even for mathematicians, but key ...
The most important figures are often shown as the highest in a composition, also from hieratic motives, leading to the so-called "vertical perspective", common in the art of Ancient Egypt, where a group of "nearer" figures are shown below the larger figure or figures; simple overlapping was also employed to relate distance. [6]