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AI Dungeon is a text adventure game that uses artificial intelligence to generate random storylines in response to player-submitted stimuli. [1] [2] [3] [4]In the game, players are prompted to choose a setting for their adventure (e.g. fantasy, mystery, apocalyptic, cyberpunk, zombies), [5] [6] followed by other options relevant to the setting (such as character class for fantasy settings).
A story generator or plot generator is a tool that generates basic narratives or plot ideas. The generator could be in the form of a computer program, a chart with multiple columns, a book composed of panels that flip independently of one another, or a set of several adjacent reels that spin independently of one another, allowing a user to select elements of a narrative plot.
We ran the plots of more than two dozen Hallmark and Lifetime Christmas movies through AI art generator DALL-E. The results are funny and disturbing.
Generative AI features have been integrated into a variety of existing commercially available products such as Microsoft Office (Microsoft Copilot), [85] Google Photos, [86] and the Adobe Suite (Adobe Firefly). [87] Many generative AI models are also available as open-source software, including Stable Diffusion and the LLaMA [88] language model.
Brent Spiner portrayed the benevolent AI Data in Star Trek: The Next Generation. Optimistic visions of the future of artificial intelligence are possible in science fiction. [12] Benign AI characters include Robbie the Robot, first seen in Forbidden Planet on 1956; Data in Star Trek: The Next Generation from 1987 to 1994; and Pixar's WALL-E in ...
In Assassinations and Murder in Modern Italy: Transformations in Society and Culture, Stephen Gundle and Lucia Rinaldi — as well as analyzing Italian assassinations in their historical and cultural contexts — explore films, plays, other forms of fiction, and works of art that have been inspired by the act of assassination. [2]
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In 1827, he revisited the Williams murders in "On Murder Considered as one of the Fine Arts". [3] In the same issue of Blackwood's Magazine, de Quincey also published "The Last Days of Kant", whose work he studied closely. [4] [5]: 78 "On Murder" is a prolonged satire of Kant's aesthetic theory.