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"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
In 1903, Stark issued a "Maple Leaf Rag Song", an arrangement of Joplin's music with words by Sydney Brown. [11] Brown's lyrics tell the story of a poor man from Accomack County, Virginia, who stumbles into a ballroom where, in spite of his anxiety over the state of his appearance, he manages to wow the crowd with the Maple Leaf Rag.
"Weeping Willow" is sub-titled "A rag time two step", which was a form of dance popular until about 1911, and a common style among rags written at the time. Its structure is: Intro A A B B A C C D D The A and B sections are in the key of G major very lofty and highly melodic. The "B" section makes good use of alternating patterns creating ...
For his handcart's load, which comprised rags, furs, shoes, scrap car parts, a settee and other furniture, Bibby made about £2. [21] Shoddy and Mungo manufacture in West Yorkshire continued into the 1950s and the rag man would set up his cart in local streets and weigh the wool or rags brought by the women whom they then paid.
The original cover page showed an elderly black man picking up rags in front of a ramshackle cabin, and has been interpreted as a double pun, first on the activities of a rag (or junk) picker, and second on a slang term for ragtime, "picking the piano". [3] The rag was given the following credits: Picked By Scott Joplin Arranged By Chas. N ...
The slow revival and re-discovery of Ragtime and Joplin started in the 1940s, although it concentrated on the rags such as the Maple Leaf Rag, rather than Bethena. Joshua Rifkin 's 1970 LP Piano Rags by Scott Joplin played a part in the Joplin revival of that decade, with sales of over 100,000 in the first year and subsequently becoming ...
[5] In the album notes to Scott Joplin: Piano Rags, [20] Joshua Rifkin describes the "Magnetic Rag" as a "valedictory work" with Joplin paying "tribute" to a "transplanted Middle-European dance music" and the European masters whom he tried to emulate. Rifkin speculates that the composition's short coda also "seems like a farewell, as if he knew ...
The overall structure of the piece is: [2] Intro AA BB A CC Intro A. The structure is unusual for a Joplin rag; Edwards characterized it as a rondo. The recapitulation of the A strain at the end is also found in "Magnetic Rag" and "Scott Joplin's New Rag", which appeared about the same time. [1] The introduction and the A strain are both in B ...