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She was known for her “'80s-inspired synth-pop and Italo-disco influence” and unique party music. [26] She released a set called First Album with The Hacker, a fun spin on 80's dance music with comical lyrics and a carefree vibe. [27] In the 2000s, EDM found its way into pop music and became somewhat mainstream.
A Picardy third, Picardy cadence (ˈpɪkərdi ) or, in French, tierce picarde is a harmonic device used in Western classical music. It refers to the use of a major chord of the tonic at the end of a musical section that is either modal or in a minor key. piatti Cymbals, generally meaning a pair of orchestral clashed cymbals piena
Kurtis Blow's "Party Time" subsequently put them on the map to be later tracked down by Grace Jones and to take the King of Go-Go Production, Maxx Kidd to an international music adventure with Island Records, to make E.U.'s greatest hit "Da Butt" for the soundtrack of the 1988 film School Daze, written, directed and produced by Spike Lee.
As the pop music market exploded in the late 1950s, dance fads were commercialized and exploited. From the 1950s to the 1970s, new dance fads appeared almost every week. Many were popularized (or commercialized) versions of new styles or steps created by African-American dancers who frequented the clubs and discothèques in major U.S. cities ...
Sock hop at Shimer College, Illinois, in 1948. A sock hop or sox hop, often also called a record hop [1]: 199 or just a hop, was an informal (but officially organized) dance event for teenagers in mid-20th-century North America, featuring popular music.
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"Dansband" ("Dance band") is a term in Swedish for bands who play a kind of popular music, "dansbandsmusik" ("Dance band music"), to partner dance to. These terms came into use around 1970, and before that, many of the bands were classified as "pop groups". This type of music is mostly popular in the Nordic countries.
The most famous hoedown in classical music is the section entitled "Hoe-Down" from the Rodeo ballet by Aaron Copland (1942). The most frequently heard version is from the Four Dance Episodes from Rodeo, which Copland extracted from the ballet shortly after its premiere; the dance episodes were first performed in 1943 by the Boston Pops conducted by Arthur Fiedler.