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Among the Tuareg, men wear the litham, also called tagelmust, while women go unveiled. [3] Tuareg boys start wearing the litham at the onset of puberty and the veil is regarded as a mark of manhood. [3] It is considered improper for a man to appear unveiled in front of elders, especially those from his wife's family. [3]
It is typically a tent-like garment worn over the ordinary clothes and is made of white cotton. Many upper-class women wear a two-piece burqa which is usually black in colour but sometimes navy blue or dark red. It consists of a long cloak and a separate headpiece with a drop-down face veil. Some educated urban women no longer wear the burqa.
In Spain, women still wear mantillas during Holy Week (the week leading to Easter), bullfights and weddings. Also a black mantilla is traditionally worn when a woman has an audience with the Pope and a white mantilla is appropriate for a church wedding, but can be worn at other ceremony occasions as well.
A two-piece veil. It consists of a close fitting cap, usually made from cotton or polyester, and an accompanying tube-like scarf. Bushiyya: A veil that is tied on at the forehead and falls to cover the entire face but has no cut-out for the eyes; instead, the fabric is sheer enough to be seen through (Middle East, specifically Persian Gulf).
Queen Elena of Italy and Crown Princess Marie-José wearing white garments in the presence of Pope Pius XII at the Quirinal Palace on 27 December 1939.. Le privilège du blanc (pronounced [lə pʁivilɛʒ dy blɑ̃]; "the privilege of the white") is a custom of the Catholic Church that permits certain designated female royalty to wear white clothing (traditionally a white dress and white veil ...
Articles relating to veils, articles of clothing or hanging cloths that are intended to cover some part of the head or face, or objects of some significance. Veiling has a long history in European, Asian, and African societies. The practice has been prominent in different forms in Judaism, Christianity, and Islam. The practice of veiling is ...
Many factors contributed to changes in Ottoman women's garments, including the cost of materials and firmans, or royal declarations. At the beginning of the 18th century, upper-class women began wearing yashmaks, or veils that covered their faces when going out. Over time, the yashmaks became more transparent and wider, with silver embroidery.
The Veiled Nun is a 20.75 in (52.7 cm) tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, The Veiled Nun, was already in use in 1874 when the work was first displayed in public, [3] she is not a nun, but rather a woman of means or an allegorical figure.