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Ancient Greek furniture was typically constructed out of wood, though it might also be made of stone or metal, such as bronze, iron, gold, and silver. Little wood survives from ancient Greece, though varieties mentioned in texts concerning Greece and Rome include maple, oak, beech, yew, and willow. [56]
Late 17th-century portrayal of Moctezuma II, wearing a xiuhhuitzolli, which was the royal crown used by Mexica emperors. [1]Moctezuma's headdress is a featherwork headdress or military device, (Nahuatl languages: quetzalāpanecayōtl [ketsalaːpaneˈkajoːtɬ]) which tradition holds belonged to Moctezuma II, the Aztec emperor at the time of the Spanish conquest.
Aztec clothing. This woman is wearing a skirt, a blouse, and an ear plug. This man is wearing a cape, a loincloth and an ear plug. Aztec clothing was worn by the Aztec people and varied according to aspects such as social standing and gender. The garments worn by Aztecs were also worn by other pre-Columbian peoples of central Mexico who shared ...
Mexican featherwork, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico. Although feathers have been prized and feather works created in other parts of the world, those done by the amanteca or feather work specialists impressed Spanish conquerors, leading to ...
Five Suns. The Aztec sun stone. In creation myths, the term " Five Suns " refers to the belief of certain Nahua cultures and Aztec peoples that the world has gone through five distinct cycles of creation and destruction, with the current era being the fifth. It is primarily derived from a combination of myths, cosmologies, and eschatological ...
A cushion is a soft bag of some ornamental material, usually stuffed with wool, hair, feathers, polyester staple fiber, non-woven material, cotton, or even paper torn into fragments. It may be used for sitting or kneeling upon, or to soften the hardness or angularity of a chair or couch. [1] Decorative cushions often have a patterned cover ...
Aztec codices were usually made from long sheets of fig-bark paper (amate) or stretched deerskins sewn together to form long and narrow strips; others were painted on big cloths. [5] Thus, usual formats include screenfold books, strips known as tiras, rolls, and cloths, also known as lienzos.
Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. [5] Chalchiuhtlicue belongs to a larger group of Aztec rain gods, [6] and she is closely related to another Aztec water god called Chalchiuhtlatonal. [7]