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Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note. In a minor scale, the third degree is a minor third above the tonic. Similarly, in a major triad or major seventh chord, the ...
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale. For instance, B minor is the relative minor of D major because the note B is a major sixth above D. As a result, the key signatures of B minor and D major both have two sharps (F ...
A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. [1] [2] The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in Mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic. In the key of A minor, when we translate them to keys, we get: A major (I) C major (III) D minor (iv) E minor (v) F major (VI) G major (VII)
Parallel key. Parallel tonic chords on C major (C), and C minor (Cm). In music theory, a major scale and a minor scale that have the same starting note (tonic) are called parallel keys and are said to be in a parallel relationship. [1][2] For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the ...
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...