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In 3D. Filmed with Phantom 65 IMAX 3D Digital cameras. Some shots filmed in 35mm and converted to 3D. First mainstream feature to be partially shot with digital IMAX 3D cameras with 95 minutes of IMAX 3D footage. Aspect ratio alternates between 2.39:1, 2.00:1, and 1.90:1. The longest IMAX 3D movie ever filmed. [243] [244] Hercules: 25 July 2014 **
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
The 3D version was only shown in IMAX 3D theaters as a 70 mm blow-up. Open Season: September 29, 2006 United States: Digital 3D: 1.85:1 86 The 3D version was only shown in IMAX 3D theaters as a 70 mm blow-up. The Nightmare Before Christmas: October 20, 2006 United States: Filmed in 2D 1.85:1 76 3D conversion by Industrial Light & Magic ...
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train; Despicable Me 2; Despicable Me 4; Detective Chinatown 3; Detective Pikachu (film) Devotion (2022 film) Digimon Adventure tri. Divergent (film) The Divergent Series; The Divergent Series: Allegiant; The Divergent Series: Insurgent; Doctor Strange (2016 film) Doctor Strange in the ...
These are lists of 3D films: List of 3D films (2005–present) List of 3D films (1914–2004) This page was last edited on 10 September 2022, at ...
Hubble 3D is an IMAX and Warner Bros. Pictures production, in cooperation with National Aeronautics and Space Administration (NASA). The film reunites the 2002 documentary Space Station 3D film making team, led by producer/director Toni Myers. Hubble 3D opened at IMAX and IMAX 3D theaters on March 19, 2010.
The system is capable of delivering up to 48 cd/m 2 on unity-gain matte-white screens for 3D (and up to 106 cd/m 2 for 2D), a substantial improvement on current generation 3D systems which deliver in the range of 10 to 14 cd/m 2 for 3D. The result is improved brightness, colour, and contrast compared to traditional xenon projectors.