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The study of harpsichord decoration became an important scholarly field in the 20th century, notably with the work of Sheridan Germann (2002), whose knowledge extended to the point of being able to pin down the particular anonymous artists who worked with particular builders.
Harpsichord building in England only achieved great distinction in the 18th century with the work of two immigrant makers, Jacob Kirckman (from Alsace) and Burkat Shudi (from Switzerland). The harpsichords by these builders have been described by the famous builder-scholar Frank Hubbard as "possibly the culmination of the harpsichord maker's ...
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by a set of plectra, mounted in jacks.Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard.
The disposition of a harpsichord is the set of choirs of strings it contains. This article describes various dispositions and gives the standard notation for describing them. If a harpsichord contains just one set of strings at normal concert pitch, its disposition is called 1 x 8'. Here, the 8' means eight foot pitch, which designates normal ...
A clavicytherium is a harpsichord in which the soundboard and strings are mounted vertically [1] facing the player. The primary purpose of making a harpsichord vertical is the same as in the later upright piano, namely to save floor space. In a clavicytherium, the jacks move horizontally without the assistance of gravity, so that clavicytherium ...
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The revival was the joint work of performers, builders, and composers who wrote new harpsichord pieces. However the harpsichord never completely disappeared from the public eye as it was used through the mid-19th century for basso continuo because despite its low volume, it had considerable power to "cut through" the orchestra. The earliest ...