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The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
Tiberio Calcagni (1532–1565) was an Italian sculptor and architect. He was born in Florence , and accompanied Michelangelo to Rome, and was active about 1570. He completed or attempted to complete a number of his master's works after his death, including his Deposition .
Antonio Calcagni (1538 in Recanati – 1593) was an Italian sculptor of the Renaissance period. He apprenticed with Girolamo Lombardo in Recanati , where he completed a statue of Pope Gregory XIII (1574) started by Ludovico Lombardi and Ascoli.
He trained in the workshop of Antonio Calcagni and Girolamo Lombardo in Recanati. His first work is the statue of Pope Sixtus V , given to his hometown Camerino. In the aftermath of the election of a new Pope, this statue was done around the same time as Calcagni was working on a similar statue for Loreto, Marche (1585–1587) and follows the ...
The Deposition, also known as the Pala Baglioni, Borghese Entombment or The Entombment, is an oil painting by the Italian High Renaissance painter Raphael. Signed and dated "Raphael. Signed and dated "Raphael.
Opere, 1544. Celio Calcagnini (Ferrara, 17 September 1479 – Ferrara, 24 April 1541), also known as Caelius Calcagninus, was an Italian humanist and scientist from Ferrara.
The Deposition from the Cross is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in tempera on wood, it is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence.
The Deposition from the Cross is a painting of the Deposition of Christ by the Italian Renaissance master Fra Angelico, executed between 1432 and 1434. It is now housed in the National Museum of San Marco, Florence. Giorgio Vasari described it as appearing to have been "painted by a saint or an angel".