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With the turn away from Chinese culture, Japanese courtiers began to wear elaborate clothing – the jūnihitoe for women and the sokutai for men – in color combinations symbolising the change of the seasons and stylised views of nature. Women also began to paint their faces more thickly, and began painting their eyebrows as ovals or ovoid ...
The ideal female skin color in Japan would be considered "tan" in the West. According to Ashikari, there is a widepread perception in Japan that European women's skin is less beautiful than Japanese women's, as White women's skin is stereotyped as being too pale, reddish, and roughly textured. [14]
Edited photographs of young Chinese women's eyes were presented to the test participants. It found that there was significant preference for the double eyelid while the single eyelid was considered to be the least attractive. [15] Because of this, many Chinese women go through a surgery that creates a fold in the upper eyelid giving them the ...
In Japan, the preference for skin that is white and free of blemishes has been documented since at least the Heian period (794–1185), as in books such as The Pillow Book and The Tale of Genji. [1] There is an old proverb "white skin covers the seven flaws" ( 色の白いは七難隠す , iro no shiroi wa shichinan kakusu ) , which refers to a ...
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.
Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Kuchisake-onna (口裂け女, 'Slit-Mouthed Woman') [1] is a malevolent figure in Japanese urban legends and folklore. Described as the malicious spirit, or onryō, of a woman, she partially covers her face with a mask or other item and carries a pair of scissors, a knife, or some other sharp object. She is most often described as a tall woman ...